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Opera

The Naval Battle

CelticRose

0:14	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn	7	0	2	2	75%
	7	0	2	2	75%
View all 16 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Horn	7	2	2	75%
	7	2	2	75%
	7	2	2	75%
	7	2	2	75%
B Trumpet	6	2	2	50%
	6	2	2	50%
Double Basses	3	1	1	50%
Flute	17	4	2	50%
Piccolo	17	4	2	50%
Timpani	1	0	2	50%
Violas	3	1	1	50%
Violins 1	17	4	2	50%
Violins 2	17	4	2	50%
Violoncellos	3	1	1	50%
F Tuba	4	2	2	25%
Oboe	3	1	1	25%

O Mio Babbino Caro- Puccini (Gianni Schicchi)

Owlman142

1:25	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	9	0	5	100%
Violoncelli.	16	1	0	4	100%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Viola.	16	9	0	5	100%
Violoncelli.	16	1	0	4	100%
Violini I.	15	7	1	5	94%
Violini II.	16	10	0	5	94%
Contrabassi.	7	0	0	2	84%
Arpa.	16	4	0	2	48%
	20	7	1	2	79%
LAURETTA.	10	0	0	4	78%
Clarinetti 1. e 2. in Si ♭	13	5	0	5	62%
Oboi 1. e 2.	10	10	1	5	59%
Flauti 1. e 2.	16	4	0	4	58%
Corni 1. e 2. in FA amp;quot; 3. e 4. amp;quot;	2	1	0	3	6%
	9	1	1	4	51%
Fagotti 1. e 2.	7	3	1	5	38%
Corno Inglese.	7	0	0	5	28%
Trombe 1. 2. e 3. in FA	8	3	1	2	25%
Clarone in Si ♭	4	0	0	2	13%

[W.I.P] Noah en Morphos - Openning (Work in Progress)

Corbyn Greengrass

1:33	Est. Play Time
34	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	4	1	3	81%
	27	32	4	6	96%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	12	4	1	3	81%
	27	32	4	6	96%
	22	15	1	7	55%
	22	15	2	7	94%
Célesta	18	8	2	6	61%
	1	0	0	1	3%
Clarinette Basse	18	0	3	7	55%
Timbales	5	0	0	5	39%

Richard Wagner - Ride of the Valkryies. Professional production full score. {Unfinished.}

Jamie Holdham

0:07	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	10	0	0	2	80%
BRATSCHEN.	5	0	0	2	80%
View all 16 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
I. Violinen. II.	10	0	2	80%
BRATSCHEN.	5	0	2	80%
Violins	10	0	2	80%
Oboe	2	0	2	60%
	2	0	1	40%
3 Klarinetten in A.	2	0	2	60%
Englisch Horn.	2	0	2	60%
A Clarinet	2	0	2	40%
	2	0	1	40%
3 HOBOEN.	2	0	1	40%
BaBklarinette in A.	2	2	2	40%
Violoncelle.	5	0	2	40%
2 groBe Floten.	2	0	1	20%
2 kleine Floten.	2	0	1	20%
Flute	2	0	1	20%
Piccolo	2	0	1	20%

Wagner - Der Fleigende Hollander Overture to Akt 1. [Professional production full score.] [Unfinished.].

Jamie Holdham

0:10	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini.	2	1	0	1	100%
Clarinetti I.II in B (A♭).	2	1	0	1	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini.	2	1	0	1	100%
Clarinetti I.II in B (A♭).	2	1	0	1	100%
Flauti I.II.	2	1	0	1	100%
Viola.	2	1	0	1	100%
Violins	2	1	0	1	100%
Corni I.II in F (Fa).	3	0	0	3	85%
Corni III.IV in D (Re).	3	0	0	3	85%
Fagotti I.II.	4	0	0	4	85%
Oboi I.II.	2	1	0	2	71%
Trombe I.II in F (Fa).	2	1	0	2	43%
Contrabasso.	12	0	5	1	29%
Timpani in D u.A (Re La).	1	0	0	1	29%
Violoncello.	12	0	5	1	29%

Richard Wagner - ENDE.zu.DIE MIESTERSINGER in Full score.

Jamie Holdham

0:21	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	7	0	1	5	100%
Violas	8	1	1	5	100%
View all 12 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabasses	7	0	1	5	100%
Violas	8	1	1	5	100%
Violoncellos	14	7	2	5	100%
Violins	4	0	0	5	83%
	4	0	0	5	83%
Bass	8	0	1	5	83%
Trombone	3	0	0	1	33%
	5	3	0	4	67%
Bassoon	1	0	0	2	50%
Horn in F	2	1	0	2	33%
	2	1	0	2	33%
C Trumpet	2	0	0	1	17%

Wagner - Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:15	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	4	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	5	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Die Miestersinger Prelude to Act III - Richard Wagner.

Jamie Holdham

0:01	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelle.	15	0	3	6	84%
Bratsche.	11	0	3	5	58%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncelle.	15	0	3	6	84%
Bratsche.	11	0	3	5	58%
2.	8	0	2	4	32%
1 Violinen.	7	0	1	4	26%
Fg.1	8	0	2	5	26%
Fg.2	9	0	2	7	26%
Hr.1 in D.	8	0	1	5	26%
Hr.2 in D.	5	0	0	3	26%
Hr.3 in D.	4	0	1	3	26%
Hr.4 in D.	6	0	1	4	21%
3 Pos.	7	3	1	2	16%
2 Trp. in D.	3	1	1	3	11%
B.T.	2	0	0	2	11%

Lohengrin Vorspiel to Akt 3. {Professional production full score.} Unfinished.

Jamie Holdham

0:12	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Clarinetten in A. 2.u.3.	12	0	2	7	100%
1. Floten. 2.u.3.	13	0	3	10	100%
View all 18 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
1. Clarinetten in A. 2.u.3.	12	0	2	7	100%
1. Floten. 2.u.3.	13	0	3	10	100%
1. Hoboen. 2.u.3.	9	0	1	3	100%
1.u.2. Horner in G. 3.u.4.	12	9	4	5	100%
1.Violine.	13	0	3	10	100%
2.Violine.	14	0	3	9	100%
A Clarinet	14	11	3	6	100%
Bratsche.	14	0	4	9	100%
Flute	13	8	2	5	100%
Horn in G	12	9	4	5	100%
Oboe	14	12	3	6	100%
3 FAGOTTE.	18	12	4	2	91%
Contrabass.	12	0	1	2	86%
Violoncell.	13	1	1	2	86%
3 Trompeten.	11	6	2	4	67%
3 Posaunen.	7	3	1	2	50%
BASS-TUBA.	4	0	0	2	43%
Pauken in G u.D.	2	0	0	2	43%

Gotterdammerung Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

2:20	Est. Play Time
27	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
View all 27 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
12 VIOLONCELLE.	24	0	10	5	70%
1 CONTRABASS- TUBA. (C.)	6	0	1	3	67%
2.u.3. (B.)	18	21	7	5	66%
12 BRATSCHEN.	17	0	4	5	57%
1. 3 gr.FLOTEN.	9	1	3	5	56%
2 Tenor. (B) 4 TUBEN.	7	2	3	4	53%
2.u.3.	12	10	4	5	48%
	8	6	1	5	52%
	6	0	2	4	33%
1. (B.) 3 CLARINETTEN.	17	0	5	3	52%
1 BASS- CLARINETTE. (B)	13	0	5	4	52%
3.u.4.	15	14	8	5	52%
2 Bass. (F.)	5	4	1	4	50%
3.	15	1	4	5	50%
1.u.2. 4 HORNER.	15	12	8	5	48%
ENGLISCHES HORN.	5	0	2	5	48%
Violins	24	0	9	5	48%
1. 3 TENOR-BASS- POSAUNEN.	7	4	1	4	47%
16 erste 32 VIOLINEN. 16 zweite	22	0	10	4	44%
1.u.2. 3 FAGOTTE.	5	2	2	4	44%
1 BASS-TROMPETE. (Es.)	13	0	5	4	44%
1. 3 HOBOEN.	4	0	0	4	41%
1 CONTRABASS- POSAUNE. (C)	4	0	0	4	33%
8 CONTRABASSE.	5	0	0	4	26%
1. (Es.) 3 TROMPETTEN.	3	0	3	4	22%
2.u.3. (Es.)	4	2	3	3	15%
Pauken.	2	0	1	1	7%

Wagner - Siegfried: Vorspiel to Akt 3. {Professional production full score.} Unfinished.

Jamie Holdham

0:15	Est. Play Time
32	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
FAGOTTEN.	8	0	0	3	100%
VIOLINEN.	7	0	1	3	100%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
FAGOTTEN.	8	0	0	3	100%
VIOLINEN.	7	0	1	3	100%
1. BASS-TUBA. (in B.)	10	0	3	3	100%
2 TENOR-TUBEN. (in Es.)	4	1	0	2	100%
2. BASS-TUBA.	3	0	1	2	100%
BASS-CLARINETTE. (in B.)	8	0	0	3	100%
Bassoon	6	0	0	3	100%
BRATSCHEN.	6	0	0	3	100%
CONTRABASS-TUBA.	1	0	0	2	100%
Contrabasse.	8	0	0	3	100%
PAUKEN. (1. PAAR.)	1	0	0	2	100%
Violins	6	0	0	3	100%
Violoncelle.	8	0	0	3	100%
3 POSAUNEN.	3	1	0	1	33%

A tanto duol (Bellini)

Carlos E. Marrero

3:04	Est. Play Time
30	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabajos	12	0	3	4	100%
Violas	11	0	0	5	100%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabajos	12	0	3	4	100%
Violas	11	0	0	5	100%
Violines 2	13	1	0	5	100%
Violonchelos	13	0	1	5	100%
Violines 1	10	0	2	6	86%
Clarinete en Si♭	14	0	2	9	83%
Fernando	19	0	7	8	72%
Corno en Fa 1 - 3	7	3	0	5	66%
Piccolo	14	0	1	6	66%
Corno en Fa 2 - 4	7	4	0	5	62%
Clemente	14	0	3	6	52%
Flautas	16	0	0	6	48%
	15	0	0	3	28%
Clarinete en La	12	0	4	7	41%
Oboe 1	5	0	0	3	34%
Oboe 2	5	0	0	3	34%
Fagot 1	9	0	1	3	31%
Trombón	4	0	1	3	28%
Trombón bajo	4	0	0	3	28%
Fagot 2	4	0	0	2	14%